
Most of us start out storing screws in whatever box they arrived in, then graduate to a plastic tub, and end up with a shelf of anonymous containers that all look identical. You spend five minutes tipping one out to find four 40mm countersunk screws, then five minutes putting everything back. A glass jar solves that problem in one move: you can see straight through it. No labels needed for the obvious ones, no rummaging, no guessing whether that tub holds wall plugs or picture hooks.
Glass has a few other quiet advantages. It does not react with steel fixings the way some plastics and cardboard do, so you will not find your nails rusted to the bottom of a tin. It does not absorb moisture or hold onto grit. It wipes clean. And it is free — every kitchen in Britain produces a steady supply of jam, pickle, coffee and sauce jars that are perfectly good storage the moment they are washed out.
The one thing glass does not do is survive a dropped hammer, so this is a shelf system, not a floor system. Keep that in mind and it will serve you well for years.
Not every jar is worth keeping. Aim for straight-sided jars with a wide mouth — 60mm across or more — so you can reach in with two fingers and pull out a handful of screws. Narrow preserve jars are fine for cable clips and panel pins, but awkward for anything bigger than a 30mm nail.
Sort through your collection and reject anything with a chipped rim, a hairline crack, or glass thin enough to flex when you press it. Thin decorative jars are not built for a workshop. Kilner-style jars with wire clamps look handsome but are heavy, expensive and slower to open one-handed.
The principle is simple: the lid stays put, the jar does the moving. Undo the jar and it drops into your hand with the contents visible from the top.
Work along the underside of a shelf at least 18mm thick, or fix a 20mm softwood batten to the wall and hang the lids from that. Mark the lid centres with a pencil, spacing them 70–80mm apart so neighbouring jars do not clink together. A 2.5mm pilot hole for a 20mm number 6 screw is about right for a typical tinplate lid; step up to 3mm if you are going into hardwood.
If you would rather not drill a good shelf, a short length of 20mm batten screwed to the wall at chest height works just as well, and you can move the whole run later.
Screw the jar on, then turn it a half turn past the point of contact — no more. Overtightening makes the lid grip the thread and you will be wrestling with a jar of masonry bolts at the worst moment.
Label by contents, not by source. "40mm countersunk, steel" tells you far more than "the jar from the marmalade". Masking tape and a permanent marker are perfectly adequate, and cheap to replace when the contents change. A paint pen on the lid is even better because the label never peels off.
Group your rows by job. Brass screws along one row, masonry fixings along the next, electrical fittings on a separate short run. Put the heaviest jars lowest if the shelf is wall-mounted, and keep the whole arrangement away from the door you swing open with an armful of timber.
Once the system is up, you will find you stop buying storage and start looking at the kitchen recycling bin with fresh eyes. That is the real pleasure of it — a tidy, visible workshop made almost entirely from things you were about to throw away.
Use a flat stone, honing guide and light oil to restore a keen edge and improve control when working with timber.
Comments
ALina Kelian
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Rlex Kelian
19th May 2018 ReplyGladworkshop No rushing, no fuss — just thoughtful notes and practical help, written by people who care. ullamco laboris nisi ut aliquip commodo.
Roboto Alex
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